Search Results for “Yalda”

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  • KHACHIKIAN, Samuel

    Jamsheed Akrami

    Khachikian’s first film was Bāzgašt (The Return), a romantic melodrama that pitted a hardworking village boy serving an affluent family in the city against the family’s spoiled son in a rivalry over a young woman. The mawkish story shared formula of Iranian films of the period, but was technically more polished and fast-paced.

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  • ĀJĪL

    M. Kasheff

    an assortment of nuts, roasted chickpeas and seeds such as watermelon, pumpkin, and pear, and raisins and other dried fruits.

  • ČERĀḠHĀ RĀ MAN ḴĀMUŠ MIKONAM

    Elham Gheytanchi

    (I turn off the lights, Tehran, 2001), the first and most acclaimed novel by Zoya Pirzad (Zoyā Pirzād, b. Abadan, 1952), and the second to be penned by an Iranian-Armenian writer, after Ālice Ārezumāniān’s Hama az yek (All from one,Tehran, 1963).

  • ČELLA

    Mahmoud Omidsalar, Hamid Algar

    term referring to any forty-day period. i. In Persian folklore. ii. In Sufism.

  • SADA FESTIVAL

    Anna Krasnowolska

    the most important Iranian winter festival, celebrated by kindling fires.

  • JUDEO-PERSIAN COMMUNITIES x. JUDEO-PERSIAN JARGON (LOTERĀʾI)

    Ehsan Yarshater

    Loterāʾi is the secret jargon used by the Jewish communities of Iran and Afghanistan when they do not want the content of their talk to be understood by non-Jews.

  • CHRISTIANITY vi. In Persian Literature

    Qamar Āryān

    Christian beliefs and institutions are frequently mentioned in various genres (lyric, epic, didactic, mystic), and many works contain allusions to legends of Christian saints, martyrs, and ascetics.

  • DANCE

    A. Shapur Shahbazi, Robyn C. Friend

    (raqṣ). Single dancers or groups of dancers represented on pottery from prehistoric Iranian sites (e.g., Tepe Siyalk, Tepe Mūsīān) attest the antiquity of this art in Iran. According to Duris of Samos (apud Athenaeus, Deipnosophistae), the Achaemenid Persians learned to dance, just as they learned to ride horseback.

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  • LOTERĀʾI

    Martin Schwartz

    term used by Iranian Jews for speech using local Judeo-Iranian grammar with a special exotic substitutive vocabulary.

  • JUDEO-PERSIAN COMMUNITIES xi. MUSIC (2)

    Houman Sarshar

    This section is divided into: moṭrebs (hired popular musicians), Persian classical music, instrument makers, and popular music. Existing scholarship and historical documents suggest that Jews were the most prevalent minority engaged as moṭrebs.

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  • FICTION, ii(b)

    Houra Yavari

    ii(b). THE NOVEL.